video: Ford G Series: Fingers

Advertising Agency: JWT Melbourne, Australia
Executive Creative Director: Richard Muntz
Creative Directors: Angus Hennah, Keith Nicholas
Art Directors: Phil van Bruchem, Nick Weller
Copywriters: Nick Weller, Phil van Bruchem
Agency producer: Justine Kubale
Director: Michael Spiccia
Producer: Matt Long / Good Oil Films
DOP: Danny Ruhlmann
Post effects: Richard Lambert / Finn Design

The best video ads of FEB

video: Monster: Stork
Ad Campaign: Monster (Your calling is calling)
Client: Monster
Agency: BBDO, New York
Chief Creative Officer: David Lubars
Executive Creative Director: Eric Silver
Art Director: Gerard Caputo
Copywriter: Reuben Hower
Senior Agency Producer: Ed Zazzera, Anthony Curti
Executive Music Producer: Loren Parkins
Production Company: Rattling Stick
Director: Daniel Kleinman
Producer: Johnnie Frankel
Director of Photography: Ben Davis
Editorial Company: Cut & Run
Editor: Steve Gandolfi
VFX Company: Framestore
VFX Supervisor/Lead Compositor: William Bartlett
CG Supervisor: Dan Seddon
Lead Technical Director: David Mellor
Lead Animator: Michael Mellor
Senior Animator: Dale Newton, Nicklas Andersson

Telecine: Matt Turner

Music: Human
Sound Design: Stimmung
Sound Designer: Gus Koven
Mix: Sound Lounge
Mixer: Tom Jucarone

video: Real Friend Insurance: The Best Salesman Ever

Product: Real Friend Insurance
Agency: Publicis Thailand, Bangkok
Executive Creative Director: Kitti Chaiyaporn
Art Director: Taya Sutthinan
Art Director: Kittisak Poonnotok
Copywriter: Chalit Manuyakorn
Agency Producer: Wira Suwansilp
Director: Thanonchai Sornsriwiechai
Production: Phenomena
Editor: Manop Boonwipas
Cameraman: Tweesak Kumphati
Country: Thailand

video: Stuffit Deluxe: Pregnancy

Ad Campaign: Stuffit Deluxe (Compressed)
Client: Smith Micro Software
Agency: Saatchi & Saatchi, New York
Executive Creative Director: Tony Granger
Creative Director: Kerry Keenan, Michael Long
Art Director: Michael Schachtner, Menno Kluin
Copywriter: Julia Neumann, Brian Ahern
Agency Producer: Sheldon Levy
Production Company: HSI
Director: Simon Green
Editorial Company: Cosmo Street
Editor: Steve Bell

video: Louis Vuitton: A Journey

Ad Campaign: Louis Vuitton (Journey)
Client: Louis Vuitton
Title: A Journey
Agency: Ogilvy, Paris
Creative: Christian Reuilly
Agency Producer: Laure Bayle

video: GQ: Ideal man

Agency: DDB, Paris
Production Company: La Pac, paris

Creative Directors: Alexandre Hervé, Sylvain Thirache
Copywriter: Fabien Teichner
Art Director: Faustin Claverie Agency Producers: Sophie Megrous, Julie Mathiot
Prod Compagny: La Pac
Director: Les Minis Vegas (Minivegas)
Music: Billy Idol «Eyes without a face»
Sound Production: THE

video: Allan Gray long term investment: Beautiful

Product : Allan Gray
Agency : King James, Cape Town
Editor: Ricky Boyd
Executive Creative Director: Alistair King
Creative Director: Devin Kennedy
Art Director: Damian Bonse
Agency Producer: Caz Friedman
Producer: Karen Kloppers
Director(s) : Keith Rose
Prod. Co. : Velocity Films
Country : South Africa

video: Adidas: Adi Dassler

Agency: 180\TBWA
Agency Producer: Catherine Reynolds
Creative Director: Richard Bullock; Andy Fackrell
Creative: Richard Bullock; Samuel Coleman; Dario Nucci
Director: Martin Krejci
Production: Stink
Producer: Molly Pope
Director of Photography: Stepan Kucera

Post Production: Glassworks London
Editor: Filip Malasek (Robota)
Music: Agoraphone / Soundsquare
Brand: adidas

video: Honda: Problem Playground

Ad Campaign: Power Of Dreams
Agency: Wieden + Kennedy, London
Creative Directors: Tony Davidson, Kim Papworth
Copywriter: Sam Heath
Art Director: Frank Ginger
Agency Producer: Rachel Hough
Production Company: Partizan, London
Director: Antoine Bardou-Jacquet
Producer: Russell Curtis
Director Of Photography: Oliver Coulhon
Post Production: The Mill, London
Flame Artist: Barnsley
Visual Effects Supervisor: Hitesh Patel
Editor: Bill Smeadley, Work, London
Sound Facility: Wave Studios, London
Sound Engineers: Parv Thind
Music Editor: Bill Smeadley
Music: Ping Island
Composer: Mark Mothersbaugh

video: Audi A4: Strings

Client: Audi
Title: Strings
Agency: DDB Barcelona
Creative Director: Alberto Astorga
Art Director: Jaume Badia
Copywriter: Alfredo Binefa
Agency Producer: Vicky Monino

Production company: Agosto, Barcelona
Director: Nacho Gayan
Producer: Toni Moreno
DOP: Paco Femenia
Editor: Fabrizio Rosetti
Post-production: Metropolitana
Music: BSO

video: Coca-Cola: It's Mine

Client: Coca-Cola
Agency: Wieden + Kennedy, Portland
Creative Director: Hal Curtis,
Sheena Brady
Senior Agency Producer: Matt Hunnicutt
Director: Nicolai Fuglsig
Director of Photography: Ellen Kuras
Producer: Emma Wilcockson
Executive Producer: Eric Stern
Production Designer: Robb Buono
Balloon Consultant: Starbound Entertainment
Editorial Company: Whitehouse
Editor: Russell Icke
Post Producer: Justin Kumpata
VFX: The Mill
VFX Supervisor: Angus Kneale,
Andrew Proctor
Lead Flame Artist: Angus Kneale,
Dan Williams
Flame Artist: Randy McEntee,
Pheng Sisopha
CG Supervisor / Senior CG Artist: Ben Smith
VFX Producer: Bethan Thomas
CG Producer: Asher Edwards
Telecine: Fergus McCall
Music/Sound Design: Stimmung
Arranger: Robert Miller
Song: Rossini Overture
Music Executive Producer: Kelly Fuller
Sound Design: Gus Koven
Mix: Color
Mixer: Kevin Halpin

video: Coke Zero: Liar

Ad Campaign: Coke Zero (Tongues & Eye)
Agency: Wieden+Kennedy Amsterdam
Production: Passion Picrures, London
Director: againstallodds

video: Renault Megane Sport: Race

Agency: Publicis, London
Creative Director: Stuart Farquhar
Art Director: Alistair Ross
Agency Producer: Colin Hickson
Production Company: Partizan, London
Directors: Michael Gracey, Pete Commins
Producer: Ella Sanderson
DOP: Alex Barber
Art Director: David Lee
Editor: Ben Harrex, Final Cut London
Post Production: MPC, London
Sound Engineer: Parv Thind
Music: Vivaldi, «The Four Seasons — Summer (3rd Movement)»
Music Publisher: Extreme


video: Ford Focus: Ode (FULL)

The new TV ad for the Ford Focus which features musical instruments made from parts of the car. All the music was made by the car parts.

Client: Ford
Product: Focus
Agency: Ogilvy, London
Creative Director: Greg Burke
Copywriter: John Crozier
Art Director: Dom Sweeney
Agency Producer: James Brook Partridge
Director: Noam Murro
Production Company: Biscuit@Indpendent, London
Executive Producers: Shawn Lacy, Richard Packer
Producer: Jay Veal
Director of Photography: Jo Willems
Editorial: Avi Oron, Bikini Edit, Los Angeles
Post Production: The Mill, London
Composer: Craig Richey

Porsche Cayenne GTS Commercial
Lotus Commercial
Pontiac G6 commercial

video: Ford: Human Car (Powered by you)

The 60 Second version of the Powered by You commercials by Ford of Canada


how are they made?

Advertising Agency: YOUNG & RUBICAM TORONTO

прорабские

Commercial for Ford s-max

Agency: Ogilvy, London
Creatives: Paul Diver, Alan Morrice
Production: Rattling Stick, London
Director: Daniel Kleinman
Editor: Steve Gandolfi
Post Production: Framestore CFC, London
While the new generation Ford Galaxy takes the attributes of flexibility, spaciousness, and safe and comfortable driving to new levels, the Ford S-MAX takes Ford into a new market sector.

Both models have been designed and developed in-house by Ford of Europe, and will be built at the company’s Genk Assembly Plant in Belgium. For the Galaxy, this marks a major departure from the previous joint-venture model.

Both vehicles are also significant in being the first to enter volume production with elements of the company’s new ´kinetic design´ styling. First seen last year in the striking Ford iosis concept car, this creative new form language expresses energy in motion, and this is certainly true for the distinctive shapes in the bold body forms of Ford Galaxy and Ford S-MAX.

While the new Galaxy generation adds a dynamic angle to the vehicle’s space credentials, the crossover S-MAX clearly expresses more sporty ambitions.

The family face of both vehicles shows their obvious relation, yet the only common parts in the S-MAX’s and Galaxy’s external body panels are the head lights and the front bonnet. They really are two distinctly different vehicles – the Ford S-MAX roof height is about one hand width lower than the Galaxy’s (1607mm v 1676mm). All other body panels, as well as doors and glass, are individual. Thus, each vehicle’s distinguished design style expresses its particular character.

Ad's ok, something about the music thats addictive